We operate cameras with cinematic instinct. We compose emotion in the studio.
Precision aerial cinematography. Original music composition. Two independent specialties united by the same narrative rigor. We act as the technical extension of your team on set, in the studio, or both.
Technical precision on set. Empathy in the editing room.
We understand the demands of high-end production because we are a part of it. Whether operating the camera in the air or composing in the studio, we work with a holistic vision to protect your project until the final cut:
Internal rhythm and narrative fluidity.
We do not deliver isolated shots; we deliver footage designed for the cut, leaving generous margins (handles) to facilitate your editor’s workflow.
Native color
integration.
Your team needs a pristine file. Our standard is capturing in Apple ProRes 422 HQ and Log profile, protecting the dynamic range for color grading.
Music as a narrative structure.
Musical composition is not a last-minute decorative element. We approach the original soundtrack from the script, developing motifs that amplify the director’s vision and are meticulously structured to respect the space for dialogue and sound design.
Listen to soundtracks
Specialized Services
We develop high-end technical and creative solutions. Each of our disciplines operates independently, united by the same standard of cinematic excellence.
1. Precision Aerial Cinematography
Our Approach: We operate our own flight systems under the strictest safety and legal standards. We handle technical feasibility and EASA/ENAIRE permit management in complex environments.
Technical Value
Our main unit features a system with three native focal lengths (24mm, 70mm, and 166mm), allowing for narrative versatility without needing to land for lens changes. From wide-angle establishing shots to dynamic telephoto tracking with background compression.
The Deliverable
Native capture in Apple ProRes 422 HQ and flat colorimetry profile (Log), guaranteeing maximum data retention and dynamic range for your color grading room.
🎬 On-Set Connectivity and Monitoring (Upon request)
For productions requiring advanced technical supervision, we offer the deployment of real-time external monitoring systems. We provide direct video feed via HDMI and SDI connections, as well as wireless Wi-Fi transmission, allowing Directors and DoPs to supervise framing and composition on professional field monitors or OB vans (Broadcast). A flexible solution tailored to the technical requirements of each shoot.
🌱 Support for Green Shooting
Our operations generate zero direct emissions: we travel to set in a 100% electric vehicle and provide clean portable power stations for recharging, completely avoiding the use of combustion generators.
⚡ Extended Narrative Capabilities
For specific shooting requirements that exceed the physical limits of heavy equipment, we operate complementary units. These tools prioritize agility and immersive perspectives, maintaining a post-production-ready workflow:
- Dynamic Perspective (FPV Systems): Ultra-lightweight units ideal for immersive tracking shots, transitions through tight spaces or continuous sequence shots. By prioritizing size and agility, they operate with more compact sensors and efficient compression (H.265). While they do not reach the latitude of the ProRes format of our main unit, they deliver files in 4K (10-bit) with D-Log profile, ensuring the necessary robustness to integrate coherently into the project’s color grade.
- Spherical Capture (360º Systems): Native shooting in 8K (10-bit, H.265) designed to delegate the exact framing decision to the editing room. Ideal for resolving physically impossible shots through virtual panning or absolute post-stabilization. A purely narrative tool where the final reframed file in 4K (10-bit) prioritizes extreme flexibility over the ProRes latitude of our main unit.
2. Original Soundtrack Composition
Our Approach: Over 20 years of craft have taught us a non-negotiable premise: film music does not decorate, it narrates. We understand the score as another layer of the script, a storytelling tool designed to read between the lines and amplify the director’s narrative discourse.
International Recognition
A career backed by more than 30 global recognitions. Highlights include 9 nominations for the Hollywood Music in Media Awards (HMMA)—considered the «Oscars» of audiovisual music—as well as awards at the most prestigious international festivals (Jerry Goldsmith Awards, FIMUCITÉ, ISFMF).
Production and Deliverables
We scale our infrastructure to the needs of your project, mastering the complete cycle in any format:
Comprehensive Symphonic Production: For scores requiring a live orchestra recording. We handle the complete process: orchestration, sheet music preparation, and orchestral conducting in the recording studio.
Studio Production: Composition and production of scores in electronic, classical (high-realism orchestral mockups), or hybrid formats. We deliver a cinematic-quality final master for productions that do not require live recording.
In both scenarios, we deliver the finalized master and the precise stems for their proper integration into the mixing stage (5.1 or stereo).
🔗 Composer’s Portfolio
To explore the complete filmography, listen to detailed reels, and consult the full list of awards, visit the composer’s personal website, or view their credits on the IMDb profile.
3. Visual Integration with Artificial Intelligence
Although our core work is strictly organic—operating real cameras in the air and producing music in the studio—we incorporate Artificial Intelligence as a complementary tool in constant development. Under strict human direction and supervision, we use generative visual technologies to support post-production, solve specific script needs, or generate transition assets that enhance the shot footage. An evolving department that does not seek to replace traditional filming, but rather to serve as technological support when the project requires it.
The language of cinema
Creative and Technical Direction: Iván Capillas
After more than 20 years of craft, experience shows that the greatest challenge in a production is rarely technical; it is communicative. In the realm of film scoring, the director knows exactly what emotion the story needs, but often has to convey it using a musical language they don’t necessarily master. The key to making the project flow is not to think strictly as a musician or a drone pilot, but as a filmmaker: deciphering that vision from the script and putting technique at its service.
Additionally, having training in editing, color grading, and sound mixing affords a panoramic view of the entire post-production process. Understanding this complete ecosystem marks the difference between composing a good melody or capturing a spectacular shot, and delivering material truly tailored for the editing room.
In practice, this technical empathy involves structuring the score in the studio so it drives the visual narrative and respects the space for dialogue. On set, it means operating the camera assuming the margins (handles) the editor needs and preserving the file’s dynamic range for the colorist’s canvas. Beyond technical excellence or high-end equipment, the goal is to engage in a dialogue between creators with the rest of the team. To bring a cinematic instinct that ensures every piece, sonic or visual, elevates the final work, under a very clear conviction: when all artists speak the same language and move in a single direction, that is when the film manages to become the best version of itself.
Let’s talk about your next project.
We seek productions that demand narrative rigor. Whether composing the film score in the studio or operating the camera from the air, we are ready to listen to your vision and engage in a dialogue between creators.
info@flycamai.com